When it comes to Monolink, one would wonder if he’s perhaps not the best kept secret of the electronic music scene. He has been successfully here, on the edges of the widely-understood mainstream, but still alternative enough to attract the attention of the always-demanding electronica aficionados. One would also say it is the highest time that this should change. That “one” is me, and here’s why.
Behold “The Beauty Of It All”, Monolink’s third album which has just had its premiere. A follow up to a more than impressive streaming success, encompassing the previous two albums with literally millions of listens to the individual songs, remixes, and live versions. All existing as a living proof of a true musical gift. Granted, this is not easy-listening, but that’s just yet another argument supporting my bold statement above. After all, as they say, there is no time like now. And, this time, it is all about Monolink, and his blend of perfectly balanced organic and electronic vibes. Vibes which do not shy away from sonic innovation, while simultaneously keeping the structure of songs. And isn’t that the beauty of it all, after all?
There is an inspiring sense of awe and fascination when experiencing Monolink’s music. Not looking back at his own impressive career but rather staying true to the artistry and progress. From start to finish, “The Beauty Of It All” offers nothing else but pure perfection. It is as much a bold step in a new direction, as it is an invitation to an intimate journey within our own selves. Be it pulsating house vibes of “Perfect World” and “Avalanche”, or trippy dive-ins into self-reflection of “Mesmerized” and “Promised Land”. I would dare say that this album delivers more than it has actually promised – a complete immersion in someone else’s sonic vision.
While I personally consider “Mesmerized” to be a true highlight of the album, two other tracks are likely to get your attention as well, because of who inspired them. “Beacon” is drawing influences from the songwriting of Bob Dylan. And “Once I understood” was inspired by The Beatles. I do drop these two names here on purpose as the influence itself is far less important than Monolink’s final delivery. In both cases, it is clear who owns the songs, the arrangements, and the super modern production. Also, having the latter of the two songs positioned as the album’s closing track is a truly remarkable idea, an artistic statement of sorts, and a claim to the electronic throne (no exaggeration here).
So, when the final notes of the album sound and then fade away, I am curious, will you feel the same? Impressed, mind-blown, inspired? Do let me know as I note its title down on my private albums-of-the-year shortlist.
Photo: Press release
Stream here: https://lnk.to/TheBeautyOfItAll
Order here: https://linktr.ee/TheBeautyOfItAll
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